Many of the old vaudeville theaters in the northeastern United States
are gone, or so badly altered as to be unrecognizable.
So
when a community rediscovers that it has in its midst a chance to
recapture the immense glory of the huge burlesque palaces that grace
America's landscape in the first two decades of the 20th century,
that's reason enough for a celebration of gathering and support.
Throw
into that mix some reputable local poetry, blended in with sound
and visual recordings of a number of America's best known boho-poets
of the 20th century, and you have the makings of a happening.
That's
exactly what occurred this fall in Staten Island - beginning on
the world famous Staten Island ferry and throughout the day in the
great vaudeville hall "St George Theater," as the First
Annual St. George Poetry Festival. The all-day celebration of poetry
on Saturday, September 21, 2002, brought together several generations
of poets from across the country to read in a festival atmosphere
from Noon until Midnight.
The
First Annual St. George Poetry Festival was openly declared a benefit
for the theatre, which will reopen as a not-for-profit institution
once it is restored. Not unlike communities from Pennsylvania and
Connecticut to Massachusetts and Maine which have great old vaudeville
theaters to work over.
But
situated as it is at the other end of the Staten Island Ferry from
lower Manhattan and the Battery, the St George Theater holds a special
place. After all, the free ferry is one of the number one tourist
destinations for visitors to the Big Apple, passing as it does the
Statue of Liberty and Ellis Island as it heads downriver towards
the Verrazano Narrows Bridge.
Greeting
arrivals to the St George was a young girl standing outside hoisting
a 30s era "cigars, cigarettes" style tray aound her neck
(no tobacco products here, it was all poetry buttons historic preservation
buttons in there), poets from throughout the region gathered to
read, hear readings, and absorb the atmosphere of a phenomenal and
cavernous structure that local historical people are determined
to bring back to its days of former glory.
The
day featured a host of readers, just a three minute walk from the
Staten Island Ferry terminal, including Joshua Beckman, Anselm Berrigan,
Garrett Caples, Alan Gilbert, Peter Gizzi, John Godfrey, Robert
Kelly, Caroline Knox and Noelle Kocot. Activities included readings
on the ferry too, with early afternoon performances by Laura Solomon
/ Katy Lederer (12:00), John Lowther / Randy Prunty (12:30), Travis
Nichols / Noah Gordon (1:O0) and Arielle Greenberg (1:30).
And
of particular interest to a number of visitors was the showing of
a number of short films done in collaboration with poets, as well
as rare sound recordings by dozens of poets including Allen Ginsberg,
Frank O'Hara, William Burroughs, Elizabeth Bishop, and others.
But
the centerpiece of the day was the old theater, thought to be a
Thomas Lamb structure. Centered in the historic St. George District,
the celebration's "hidden agenda" for local civic activists
was recognition of the incredible St. George Theatre - considered
locally to be one of the city's forgotten treasures and a beautiful,
2800 seat theatre built in 1928 as a vaudeville house and closed
for the past 25 years.
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